Lizzie, 2014
9×12 Ink on Bristol, digital colors
For the Portland Center Stage’s production of the Lizzie Borden rock musical.
Today I received the prototype for a new, larger edition of the 8-Bit Tarot, and I have to say, I wish I’d put it out this way in the first place! One of the biggest complaints I heard from people over the years as I was selling the business-card sized deck of pixel-art tarot cards was that the cards were too small to hold, and too thick to shuffle. Not exactly what you want to hear when you’re still sitting on several hundred copies of a limited edition art project! But when the inventory started getting seriously low and I considered reprinting the deck, I started looking for a solution.
Enter TheGameCrafter.com! The Game Crafter is a great print-on-demand board game company with a ton of options for game designers, and are perfect for folks like me who love designing games but don’t want the hassle of managing inventory, assembly, or fulfillment. I’ve already used them to produce both my Yiora and Dol-Dai boxed editions. Sometime a couple years ago I noticed that they had added Tarot decks to their options, and while I still had too many decks on-hand to consider a new edition, I started working on the files so I’d be ready when the time was right. Earlier this month, the planets aligned, I sold the remaining 18 decks of the limited edition Tarot in a single day. I uploaded the last couple files for the GameCrafter deck, and the Super 8-Bit Tarot was born!
The deck comes in a roomy tuck-box with space for all 78 full-sized tarot cards, and the folded ‘Understanding 8-Bit Tarot/Worlds of Tarot’ info sheet and map I designed a couple years ago as a companion to the mini-deck. I’m extremely pleased with the assembly of the box, the weight of the cards, and the cut of the deck. The reproduction of the artwork is fantastic, and seriously – much as I loved the mini pixel-art deck and appreciate all of the support it’s received over the years, THIS is the tarot deck I should have made from the beginning.
The new and improved Super 8-Bit Tarot is available RIGHT NOW over at TheGameCrafter.com, and it’s print-on-demand so it should never be unavailable again from now until the end of time!

The Beer Cup, created with Evviva Games for AB/InBev to promote their sponsorship of the 2014 World Cup finals. My responsibilities include initial concept of the game, developing the UI and UX flowcharts, and developing all of the asset and interface graphics.





This post has been a long time in coming, to say the least. I realized this month that it’s been two-and-a-half years since the last update to the Ellie Connelly comic, and just over two years since I posted anything at all up on the website. I’ve decided that it’s time to just let the domain expire and move what little content there is over here into its own section of the Comics page. I’m not sure when I’ll be able to find the time to do that, but someday.
The worst part of all of this is that a few weeks ago, while I was ostensibly backing up old projects onto an external hard-drive, I accidentally over-wrote my Ellie Connelly project folder – the one with all of the colored pages, book layouts, website design files, ancillary merchandise layouts, and anything created digitally – with a much more recent and far-less-complete version of the folder. The only pieces remaining are my project notes containing all of the story concepts and finished script pages for the Eye of the Vortex story as well as the future stories I had planned out, and one finished page I’d worked up in a new style a year or so ago when I was testing the waters on starting over again and maybe finishing EotV. Needless to say, that process never really got off the ground, and sadly now it’s the only thing I’ve got left. Once I realized what had happened I immediately made a dump of the contents of the website, so at least I have the low-res web-versions of the comics intact.
I do still have all of the original artwork for Eye of the Vortex – at least those weren’t created digitally – with the sole exception there being the top splash panel of page 21, when they arrive at the train station. I was never able to get the perspective on that building looking right on the paper, so for that panel alone I scanned in the foreground characters and traced the architecture into a background layer in Photoshop. So, yeah – that one’s gone.
None of this is any real great loss to me, since I know I wasn’t planning to do anything with this story or these characters anytime soon, and it was to the point where any reminders of it just made me sad that I didn’t finish it. But knowing now that if I ever do change my mind and want to revisit this world, that I will absolutely need to start over more-or-less from scratch, well that certainly gives me a disincentive to even consider it at this point.
So, anyway, that’s what’s been going on in the world of Ellie Connelly lately. The url will start redirecting visitors here if it isn’t already, and before long the site will simply disappear. If I ever do decide to start doing new things with Ellie, I’ll be posting them here, in a subsection of this site, rather than at its own domain – keeping things simple for once.
Ah, well. So it goes.
Update: Ha! Turns out I was just going through some serious self-doubt, and as usually happens, I eventually overcame it and started working on the project again. New Ellie Connelly pages can be found here: Enjoy!
Hey, all:
Don’t forget, today’s the last day to preorder yourself a set of my Halloween prints! Don’t worry if you miss the preorder sale, though – I’ve changed my original plan a bit, and the prints will continue to be available in the Storenvy shop after today, just at a slightly-higher price.
Starting Saturday, Oct 26, the Halloween prints will still be available as a set for $40. Individual prints will no longer be available. It will be a limited edition set of only 50 copies, so you’ll want to get copies soon if you want them.
Part of the reason I decided to change the plan a bit is that I wanted to have copies of the prints available at the Lots of Tiny Lines artist reception on Nov. 1. So, that’s another opportunity to pick up a set, and to see the original artwork!
So! If you want the best deal on the prints, and to be sure you’ll get your copies before Halloween, go order a set today at the discounted preorder price of $25 for all three!








































