Finally had The Talk with W. It went something like this:
W: “Remember there was an earlier episode where Kes was bouncing back and forth in time, and she was talking about the Year of Hell? That’s THIS episode! But it’s wrong! She needed to scan the frequency of the torpedo, and now she’s not there! They should see Kes!”
Me: “But the reason Kes was bouncing through time was that she was irradiated by the chronoton particles of that torpedo. But she’s already left the ship, so she’s not there to get irradiated, so she’s not bouncing through time anymore.”
W: “But it’s wrong!”
Me: “Don’t try to understand the temporal mechanics of Star Trek — it doesn’t work.”
Kids gotta learn the hard lessons some time, and it’s better than her learning it on the streets.
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I’m really excited to announce that I’ve just opened up orders for a limited edition set of prints featuring all five of my Gauntlet designs from a few months back!

The set will include five 5×5-inch full-color Giclée prints on matte-finish paper, shipped flat for only $30 (+shipping, natch!). I’m limiting the run to just 30 signed-and-numbered sets, and am taking preorders now over at my new Storenvy page:
http://indigokelleigh.storenvy.com
Pre-orders will be available until June 5th, and orders will ship the following week.
If you’re really gung-ho about it, you can also opt to purchase a piece of the original art for only $55! The originals are hand-drawn on 6×6-inch Bristol in pencil and ink, and each purchase of an original also includes the full print set, so it’s like getting six pieces of art for the price of one! Put that in your pipe and smoke it!

I woke up this morning to more than a dozen friends linking to this post on Tumblr by Casey Malone. To sum up, Reddit poster Ken Hoinsky has written “a popular step-by-step guide for getting good with women”, and is looking for funds to publish it in physical form. The Tumblr post from Casey Malone draws attention to Hoinsky’s offensive tactics for ‘getting awesome with women’, and is pleading with as many folks as she can reach to report the project to Kickstarter brass and implore them to take it down, or to halt the funding now that it’s over.
I’ve been trying to figure out my feelings on this, and where I’ve landed is pretty much this:
I strongly disapprove of the supposed content of the book (several of the Reddit pages have already been taken down, and what’s left doesn’t appear as harsh or forceful as described in Casey’s original post) and am personally offended by the entire ‘pick-up artist’/’sex-is-a-game-and-women-are-the-opposing-team’ mentality. The author is pretty clearly of the ‘Better to ask for forgiveness than permission’ variety of sexual predator, and his advice will make any social interaction a dicey proposition for any woman his disciples choose to target.
Edit: Some friends have pointed me to web-archives of some of the removed content, and yeah, it’s as bad as Casey says it is.
However, I’m not sure that I completely agree that it should be Kickstarter’s responsibility to make the decision whether the book gets funded. Encouraging folks to ask KS to bring the hammer down on this project is tantamount to asking Kickstarter to take on the role of publisher and editor, and placing the responsibility for this project squarely on their shoulders.
Kickstarter’s role in the funding of art projects and enabling creative expression is, in my opinion, too important to jeopardize by also placing them in the role of moral judge advocate. Once KS is forced into that role, they will have no option but to begin rejecting or accepting projects based on estimated offensiveness. To a degree they already act as a gateway – there is a brief approval process in place when creating a project, and not everything gets through (the criteria for approval can be found here, by the way). Adding another layer of in-depth content-based review will only make the process take longer and the costs will assuredly be passed on to the individual running the project. This has the potential of killing a number of projects before they even really get a chance to prove themselves and find their audience, which is really what Kickstarter is supposed to be all about.
Projects like this book (and this card game) will continue to pop up on Kickstarter, but thankfully at the moment they are still the extreme minority. Most of the projects on the site are fun, positive, creative, and not at all morally objectionable or offensive in any way. Some of those may be in questionable taste, and threaten to offend various groups of folks, but hasn’t that always been a hallmark of artistic pursuits throughout history? Unless we want Kickstarter to become our moral compass I suggest we back off of them and let them do what they do best – help creators find the funds to fulfill their creative visions.
And there’s a restaurant we should check out where the other nightmare people like to go…
Lincoln, track 14: They’ll Need a Crane. (Listen on iTunes)
I’ve always felt that “Crane” was meant as a conclusion to a ‘Broken Romance’ cycle beginning with “I’ve Got a Match” and “Santa’s Beard”. We see here the couple at rock bottom. The relationship has gotten so bad that it’s no longer a respite from work, in fact it seems to be the other way around – the day job is a relief from the Work of the Relationship. I imagine that they’re in such different places now that they don’t even sit at the same table anymore. One final attempt at reconciliation has been ruined by a Freudian slip, and now everything is falling apart. But even in that, there’s a bit of hope that the same crane that tore down their happy life together can now be used to start putting it back together.








































